Upcoming
Please join us to celebrate the opening of Calvin Trezise’s Xerces Blues, Saturday July 12 4pm–9pm. Exhibition will run until August 10, 2025
The exhibition will coinside with the release of his first publication with Eggy press titled Slipping Through My Fingers. A limited number of copies will be available at the opening and during the SF Art Book Fair.
For more information email graham@laststrawsf.com
Current
Opening Reception May 30th, 7pm–9pm
Richard Sexton, Outer Sunset 1977–1978, Presented by Pamplemousse Magazine
The exhibition will be on view at both Black Bird & The Last Straw May 23rd - July 7th.
This historic work was Sexton’s first serious color photography project while studying at the San Francisco Art Institute in the late 1970s. Shot on Kodachome and Ektachrome color transparency film with a Leica M4 camera, Sexton captures one of San Francisco’s most beloved Western neighborhoods at a very unique moment in time.
This is the first time the images have been presented publicly since a brief mini exhibition at the Ciné Cafe at the Surf Theater in 1979. This is an incredible opportunity to remember the neighborhood as it was, or experience the Sunset as you’ve never seen it before.
Richard Sexton is a New Orleans-based photographer, author and book packager whose work has been previously featured in magazines such as Abitare, Archetype, Historic Preservation, Louisiana Cultural Vistas, Photographer’s Forum and Smithsonian. In 2014 he received the Michael P. Smith Award for Documentary Photography from the Louisiana Endowment for the Humanities. His work is included in the permanent holdings of the Historic New Orleans Collection, the Ogden Museum of Southern Art, Frost Art Museum, High Museum of Art, Princeton University Art Museum, among others. Learn more at richardsextonstudio.com
Founded by Nora Lalle in 2021, Pamplemousse Magazine is an independent publication committed to highlighting the work of emerging and established photographers through photo features, essays, and interviews. The goal of Pamplemousse is to provide a platform for film photographers and analog artists to share their work in print, and create something beautiful and inspiring for readers to hold in their hands. Learn more at pamplemoussemagazine.com
The Last Straw is excited to present “Swallowed Whole,” a solo exhibition by Momo Gordon.
In “Swallowed Whole,” Momo’s intricately detailed graphite drawings on handmade paper feature hostile table displays and menus with items that seem to stare back. In these pieces, we become the focal point, the objects of our own and our guests’ scrutiny. This exhibition marks Gordon’s fourth solo show and their debut in San Francisco.
The exhibition showcases six intimate still-lives, suspended between suspense and surrealism. Gordon’s precise draftsmanship renders each drawing anatomically accurate, yet the subject matter delves into the bizarre and uncanny.
If the drawings evoke a peculiar dinner party, the arrangements are curated by a host who transcends conventional reality. Each composition is imbued with the artist’s internal sensations and observations, inviting viewers to look beyond the surface.
In conjunction with the exhibition, the gallery will offer a selection of objects for sale that reflect the same surreal and tense qualities as Gordon’s illustrative still-lives. These items will be periodically updated as they are sold throughout the exhibition.
Momo Gordon is a self-taught artist whose work explores the emotional landscape. Based in Portland, their art delves into themes of sentient spaces, hostile architecture, and anthropomorphized objects. Whether in sequential works or standalone pieces, Gordon’s characters are often confined within four walls. Their portfolio includes collaborations with Fisk Projects, Saint Heron, and Nieves Books.
In “Swallowed Whole,” Momo’s intricately detailed graphite drawings on handmade paper feature hostile table displays and menus with items that seem to stare back. In these pieces, we become the focal point, the objects of our own and our guests’ scrutiny. This exhibition marks Gordon’s fourth solo show and their debut in San Francisco.
The exhibition showcases six intimate still-lives, suspended between suspense and surrealism. Gordon’s precise draftsmanship renders each drawing anatomically accurate, yet the subject matter delves into the bizarre and uncanny.
If the drawings evoke a peculiar dinner party, the arrangements are curated by a host who transcends conventional reality. Each composition is imbued with the artist’s internal sensations and observations, inviting viewers to look beyond the surface.
In conjunction with the exhibition, the gallery will offer a selection of objects for sale that reflect the same surreal and tense qualities as Gordon’s illustrative still-lives. These items will be periodically updated as they are sold throughout the exhibition.
Momo Gordon is a self-taught artist whose work explores the emotional landscape. Based in Portland, their art delves into themes of sentient spaces, hostile architecture, and anthropomorphized objects. Whether in sequential works or standalone pieces, Gordon’s characters are often confined within four walls. Their portfolio includes collaborations with Fisk Projects, Saint Heron, and Nieves Books.
Swallowed Whole
July 20–September 20, 2024
Hours:
Saturday–Sunday
11 am–6 pm and by appointment
Pricelist available upon request,
graham@laststrawsf.com
Publication
Edition:
Momo Gordon, Swallowed Whole
3 color Risograph booklet
2024
2024, 16”x20”, Graphite on handmade paper, framed
2024, 16”x20”, Graphite on handmade paper, framed
2024, 16”x20”, Graphite on handmade paper, framed
2024, 16”x20”, Graphite on handmade paper, framed
2024, 8.5”x11”, Graphite on handmade paper, framed
2024, 16”x20”, Graphite on handmade paper, framed
Milo Moyer-Battick, 1990, grew up in northern Vermont and graduated from the University of Southern Maine with a BFA in printmaking in 2012. Milo makes process based paintings that combine elements of photography, geometric abstraction and pop iconography. Playful deconstructions of form are generated by time intensive mark making, and often clinical draftsmanship in his work. He resides in Emeryville, CA.
Milo Moyer-Battick’s solo exhibition at The Last Straw entitled Backstage showcases a collection of recent acrylic paintings. Moyer-Battick continues his study of absurdist abstraction in these works, with a new focus on geometric order and color. References to pointillism and op art bump around to create compositions that often feature a ‘stage’ or central area of focus, as well as a surrounding ‘backstage’. Different games are being played in each respective area, and harmony between them may or may not be achieved. A stage needs a supporting structure to exist, and the reality of this support is a central theme in these paintings. Whatever image may be in the spotlight, be it a cartoon animal, or maybe a human finger, is secondary to its relation to what’s surrounding it on the field of unprimed canvas.
Backstage
April 20–June 20, 2024
Opening Reception
April 20, 4:20pm–9pm